|
LEVY
LOGS
Back
to Levy Logs
HARMONICA
IN HAND, LEVY UNLEASHES SOUND, FURY
By Howard Reich
Tribune Arts Critic
Though. Chicago has - no shortage of imposing jazz
virtuosos, a few stand out.
Consider Howard Levy, the harmonica wizard who
played Friday night at the Green Mill Jazz Club
on North Broadway.
By virtue of his astonishing technique, radiant
tone, pervasive musicianship and apparently irrepressible
creativity, Levy stands as one of the most compelling
jazz harmonica players working today. And though
he already enjoys
a huge local following, as well as a national reputation
among musicians, it's only a matter of time before
the rest of the world discovers the great gift of
his music.
Levy led a fine quintet at the Geen Mill, where
he often performs when he's in town, but it was
his incendiary solos that mesmerized the crowd.
Some musicians like to ease into their performances,
gaining momentum and energy as they proceed, but
Levy opened his set with a remarkable burst of sound
and fury.
Playing an extended solo that somehow merged quasi-baroque
techniques with swing rhythms, snippets of hokey
holiday tunes with passages of brilliant jazz improvisation,
Levy unleashed more ideas in this opening solo than
many musicians do in an entire set. For his sake,
it's a pity he wasn't being paid by the note.
Until this performance, one might never have believed
that is possible to articulate arpeggiated figures
on the harmonica as swiftly, crisply and evenly
as Levy did with seeming ease. That Levy often kept
three musical lines going at once (melody, bass
and interior harmony) rendered the feat all the
more impressive.
It's critical to note, however, that for all his
technical achievements, Levy remains a remarkably
poetic player. In lyric pieces, he produced exquisitely
beautiful phrases, each showing a sweetness of tone
and a warm vibrato that serve as Levy's trademarks.
Throughout, Levy enjoyed enthusiastic support,
particularly Jim Hines' funk-tinged, New Orleans-flavored
percussion.
But, in the end, it was Levy's audacious solo playing-with
its outlandish tempos, impeccable technique and
alluring melodies that lit up the night.
|